לשם Leshem Type
About

A team that designs Hebrew letters. From scratch.

Leshem is a studio of type designers focused on one thing: original Hebrew typefaces, point by point.

Outline of the letter Shin from Gartl, with its anchor points and handles

Who we are

We are a team of letter designers, font engineers and typographers. Every Leshem typeface is born in our studio, from first sketch to final file, with no copies and no shortcuts.

The Leshem team · Hebrew type designers

4
families
15
weights
27
letters + niqqud
Leshem's four type families set one under another

How a letter is born

Three steps: a drawn source of the letter Shin, its outline with points, and the finished letter
  1. 1.

    Sketch and source

    It starts with a pencil: the skeleton, the thick-thin contrast, the tail and the crown.

    Pencil sketch of the letter Shin with construction lines on a desk
  2. 2.

    Outline

    In the editor every curve is built from points and handles. One letter can hold dozens of points, each placed by hand.

    FontForge outline editor showing the letter Shin from Gartl Bold with its Bezier points
    Outline of the letter Alef from Bnei
  3. 3.

    Spacing and kerning

    A good letter is measured by the space around it, too. We tune widths, sidebearings and kerning pair by pair.

    FontForge metrics window with width, sidebearing and kerning values for Gartl Bold
  4. 4.

    Family

    Then one letter becomes a family: alef-bet, finals, niqqud, numerals and weights, all tested together.

    FontForge glyph grid for Gartl Bold: numerals, niqqud, alef-bet and finals

Inside the studio

Real screenshots from our working files.

FontForge glyph grid for Tzaf Bold
Outline of the letter Lamed from Bnei Heichala
FontForge font information dialog for Gartl
Outline of the letter Tsadi from Tzaf
FontForge glyph grid for Bnei Heichala

Our typefaces

Four families, each with its own character.

Gartl specimen posterTzaf specimen posterBnei specimen posterBnei Heichala specimen poster
Gartl in every weight, from Light to Black

What guides us

1.

Originality

Every stroke drawn from scratch, never traced from existing fonts.

2.

Precision

Every point, space and pair is checked.

3.

Hebrew first

Niqqud, finals and details planned from day one.

4.

Teamwork

Every typeface passes through several sets of eyes before release.

Continuing five centuries of Hebrew printing.

History

Five centuries of Hebrew printing.

  • Hebrew Bible printed by Gershom Soncino in Brescia, 1494
    1494Brescia
    The Soncino Bible
  • Open volume of the Babylonian Talmud printed by Daniel Bomberg in Venice, 1519-1523
    1520Venice
    The Bomberg Talmud
  • Illustrated pages of the Venice Haggadah, printed in 1609
    1609Venice
    The Venice Haggadah

Historical images: public domain, via Wikimedia Commons: The Soncino Bible (1494) · The Bomberg Talmud (1520) · The Venice Haggadah (1609)

Want to see the letters at work?